{"id":11839,"date":"2019-03-06T09:40:43","date_gmt":"2019-03-06T08:40:43","guid":{"rendered":"https:\/\/www.landskronafoto.org\/?page_id=11839"},"modified":"2020-03-03T09:49:36","modified_gmt":"2020-03-03T08:49:36","slug":"conference-2","status":"publish","type":"page","link":"https:\/\/www.landskronafoto.org\/en\/conference-2\/","title":{"rendered":"Conference: photography and \/ as knowledge (2019)"},"content":{"rendered":"\n<p>In April 2019, the Department of Sociology at Lund University in cooperation with Landskrona Foto hosted the exhibition&nbsp;<em>Pierre Bourdieu In Algeria: Testimonies of Uprooting<\/em>. In connection to the exhibition the Department of Sociology arranged a&nbsp;conference&nbsp;with the purpose of exploring photography as a base for knowledge in both cultural heritage and research.<\/p>\n\n\n\n<p>The &nbsp;conference&nbsp;aimed to build a strong Scandinavian research network around the photographic image,  including multidisciplinary academic and artistic perspectives. The design of the&nbsp;conference&nbsp;was  based on participants\u2019 contributions.<br> <\/p>\n\n\n\n<p><strong>Picturing Algeria: Ethnographic Photography and Critique<\/strong><br>Franz Schultheis, St. Gallen University (CH)<\/p>\n\n\n\n<p><strong>Imaging Social Spaces<\/strong>&nbsp;<br>Crystal Palace and After: Architectural Photography and Social Imaginaries. Karl Palm\u00e5s, Chalmers and Kalle Sanner, University of Gothenburg (SE)<br>Shape, Surface, Volume, Dust, and Realism: Image-based 3D Modelling and the Rendering of Dirt, Use, and Time. Emma Nilsson, Lund University and Bj\u00f6rn Nilsson, Lund University (SE)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Truth, Trust, and Visual Veracity<\/strong><br>Interwar Lens Cultures \u2013 Photography and Film in Transition. Niclas \u00d6stlind, Louise Wolthers and Mats J\u00f6nsson, University of Gothenburg (SE)<br>Impossible Spaces. Jennifer Pranolo, UC Berkeley (US)<br>Photography and Multiple Realities. Britt-Marie Johansson and Ulrika Wennersten, Lund University, and \u00c5ke Nils\u00e9n, Halmstad University (SE)<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Interwar Lens Cultures: Photography and Film in Transition-Niclas \u00d6stlind\/Mats J\u00f6nsson\/Erika Larsson\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/B4I9Isdqw3Q?start=41&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Photography and Multiple Realities - Britt-Marie Johansson \/ Ulrika Wennersten \/ \u00c5ke Nilsen\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/1qYJIvSA0So?start=7&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>Whose Images, Whose Archives?<\/strong><br>\u201dThe long walk: following the tick-ticking sounds into the unknown \u2013 or, The omitted\u201d Jacqueline Ho\u00e0ng Nguy\u1ec5n, artist (SE)&nbsp;<br>Only That What Tells: Photography as a Meeting Place for the Creation of Meaning. Gabi Louisedotter, Lund University (SE)<\/p>\n\n\n\n<p><strong>Photography, Urbanization, and Decay<\/strong><br>Dreams Don\u2019t Die. Jacob Kimvall, Stockholm University (SE)<br>Photograffiti \u2013 constructing subcultural identities through social media. Malcolm Jacobson, Stockholm University (SE)<\/p>\n\n\n\n<p><strong>Workshop: DiffReactional Reflections Through Mirroring<\/strong><br>Helga Steppan, Linnaeus University and Nicklas Marelius, artist (SE)<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Workshop: DiffReactional Reflections Through Mirroring - Helga Steppan and Nicklas Marelius\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/Sm3z7YONwMQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>The Image of America<\/strong><br>Christer Lindberg, Lund University (SE)<\/p>\n\n\n\n<p><strong>Photographing Peace, Conflict, and Violence<\/strong><br>\u201dImages-substitutes and visual fake history: Historical images of atrocity of the Ukrainian famine 1932-1933 on social media\u201d. Ekatherina Zhukova, University of Copenhagen (DK)<br>Photography and Knowledge About State Violence in Thailand. Karin H. Zackari, Lund University (SE)<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Photography and Knowledge About State Violence in Thailand - Karin H. Zackari\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/YUv3lgItjZ8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Photography and Memory<\/strong><br>Anna Lisa Tota, Roma Tre University (IT)<\/p>\n\n\n\n<p><strong>Images and their Movements<\/strong><br>Photogenic Drawings and Unfixed Images. Richard Barlow, Hartwick College (US)<br>Post-mortem Photographs: Difficult Heritage? Satu Savia, curator Helsinki City Museum(FI)<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Photogenic Drawings and Unfixed Images - Richard Barlow\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/ClQV4SVD8c0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>Photography and Method<\/strong><br>Process and Embodiment in Photographic Practice: Walking, Learning, and Creativity in a Norwegian Mountain. Tine Blom, Inland Norway University of Applied Sciences (NO)<br>A Factorial Design of Photographs for Comparative Historical Research. Tim Liao, University of Illinois at Urbana-Champaign (US)<br>Poetic Storytelling in Icelandic Photography. Sigr\u00fan Alba Sigur\u00f0ard\u00f3ttir, Iceland University of the Arts (IS)<\/p>\n\n\n\n<p><strong>Style, Technology, and Meaning<\/strong>&nbsp;<br>Visual Abstractions, Interactive Knowledge and Conventional Practice in Photography. \u00c1rni Sverrisson, Stockholm University (SE) <br>It is a Light Which Objectifies Everything and Confirms Nothing. Hilde Honerud, artist (NO) <br><\/p>\n\n\n\n<p><strong>Imaging New Archives<\/strong><br>Silent Things: Photographing Objects That Shape Our Social Selves. Kirstine Autzen, artist (DK)<br>Riksarkivet\u2019s Big Bet on Photography. Jonas Palm, Swedish National Archives (SE)<\/p>\n\n\n\n<p><strong>Closing meeting and next steps<\/strong><br>Alison Gerber, Britt-Marie Johansson and Christopher Mathieu<\/p>\n\n\n\n<p><em>The conference was financed with support from Riksbankens Jubileumsfond.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In April 2019, the Department of Sociology at Lund University in cooperation with Landskrona Foto hosted the exhibition&nbsp;Pierre Bourdieu In Algeria: Testimonies of Uprooting. In [&#8230;]<\/p>\n","protected":false},"author":13,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-11839","page","type-page","status-publish","hentry","excerpt","full-without-featured","even","excerpt-0"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.landskronafoto.org\/en\/wp-json\/wp\/v2\/pages\/11839","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.landskronafoto.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.landskronafoto.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.landskronafoto.org\/en\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/www.landskronafoto.org\/en\/wp-json\/wp\/v2\/comments?post=11839"}],"version-history":[{"count":5,"href":"https:\/\/www.landskronafoto.org\/en\/wp-json\/wp\/v2\/pages\/11839\/revisions"}],"predecessor-version":[{"id":16685,"href":"https:\/\/www.landskronafoto.org\/en\/wp-json\/wp\/v2\/pages\/11839\/revisions\/16685"}],"wp:attachment":[{"href":"https:\/\/www.landskronafoto.org\/en\/wp-json\/wp\/v2\/media?parent=11839"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}