{"id":20318,"date":"2021-10-25T09:57:35","date_gmt":"2021-10-25T07:57:35","guid":{"rendered":"https:\/\/www.landskronafoto.org\/?page_id=20318"},"modified":"2022-05-09T16:46:12","modified_gmt":"2022-05-09T14:46:12","slug":"rosie-barnes","status":"publish","type":"page","link":"https:\/\/www.landskronafoto.org\/en\/rosie-barnes\/","title":{"rendered":"31.10.21-6.2.22 OUTDOOR EXHIBITION -ROSIE BARNES &#8211; LIGHTS LEFT ON"},"content":{"rendered":"\n<p class=\"has-black-color has-text-color has-background\" style=\"background-color:#d7dcdd\"><strong>Location: outdoors on J\u00e4rnv\u00e4gsgatan in central Landskrona. <\/strong>\u00a0<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>In her childhood&nbsp;it was always&nbsp;impressed upon&nbsp;Rosie Barnes&nbsp;and&nbsp;her siblings to&nbsp;never leave a light on in a room that wasn\u2019t occupied. The reasons were&nbsp;simple and&nbsp;clear&nbsp;\u2013&nbsp;it was a waste of money and resources.&nbsp;She still&nbsp;sticks&nbsp;to this childhood&nbsp;rule&nbsp;and it&nbsp;remains&nbsp;problematic&nbsp;for&nbsp;her&nbsp;to see lights&nbsp;left&nbsp;on in empty rooms and buildings.&nbsp;&nbsp;<\/p>\n\n\n\n<p>Over&nbsp;the past&nbsp;few&nbsp;years,&nbsp;she has&nbsp;become increasingly drawn to the sight of lights&nbsp;within our landscapes&nbsp;that remain switched on during daylight&nbsp;\u2013&nbsp;either mistakenly left on,&nbsp;or via some malfunctioning&nbsp;circuit.&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>At night and in darkness they provide an essential light of practical use and safety, yet by day, these&nbsp;Lights Left On,&nbsp;jar&nbsp;and create a&nbsp;disruption.&nbsp; And&nbsp;as they are&nbsp;lit by the natural light that surrounds them,&nbsp;they&nbsp;become&nbsp;simply&nbsp;an&nbsp;object, not a&nbsp;useful&nbsp;tool.&nbsp;&nbsp;<\/p>\n\n\n\n<p>As&nbsp;a person who finds light&nbsp;(particularly artificial light), from a sensory perspective,&nbsp;highly&nbsp;over stimulating, she is&nbsp;very attracted to this idea of lights being&nbsp;reduced to mere&nbsp;objects. These Lights Left On&nbsp;have been&nbsp;somehow&nbsp;minimised by the space and light&nbsp;that surrounds&nbsp;them.&nbsp;<\/p>\n\n\n\n<p>Whilst they bestow an&nbsp;unsettling beauty upon&nbsp;these&nbsp;landscapes,&nbsp;the&nbsp;Lights Left On&nbsp;also&nbsp;offer&nbsp;a&nbsp;more&nbsp;uneasy&nbsp;comment on our casual wastage of resources.&nbsp;&nbsp;<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><a href=\"http:\/\/www.rosiebarnes.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Rosie Barnes<\/a> is a fine art and documentary photographer, with a BA in photography from Brighton University, England, making work about the environment and our relationship with the natural world. She also makes images and stories about family, disability\/difference&nbsp;and community.&nbsp;<\/p>\n\n\n\n<p>Her&nbsp;long term&nbsp;project&nbsp;<em>A Peculiar Convenience<\/em>, a tragi-comedic study of our relationship with the natural world, was included in Val Williams\u2019 show&nbsp;<em>New Natural History (1999)<\/em>. She has continued with the&nbsp;work&nbsp;and it was more recently awarded as winner at the&nbsp;Urbanautica&nbsp;International Awards. In 2020 she was the winner of the Patron Award at the Format Photo Festival for this work.&nbsp; In November&nbsp;<em>A&nbsp;Peculiar Convenience<\/em>&nbsp;will be in a group show of 15 international artists \u2013&nbsp;<em><em>un\/natural<\/em><\/em>, at the&nbsp;Lishui&nbsp;Photography Festival in China.&nbsp;<\/p>\n\n\n\n<p>Rosie is the author of photobook&nbsp;<em>Understanding Stanley &#8211; Looking through Autism (2014)<\/em>, a highly personal,&nbsp;long term&nbsp;project about her eldest son, published widely in international media. She has had&nbsp;a number of&nbsp;documentary story commissions from magazines in the UK and Europe and has exhibited in galleries and festivals in the UK and across Europe, including at the Hereford Photography Festival, the National Museum of Photography and TV, the National Portrait Gallery. Also in Frankfurt,&nbsp;Paris&nbsp;and Bratislava.&nbsp;&nbsp;<\/p>\n\n\n\n<p>Rosie lives and works in London and is currently working on a commission for the&nbsp;Wellcome&nbsp;Collection, to extend her portrait project about autistic women \u2013&nbsp;<em>No You\u2019re Not,&nbsp;<\/em>some of which will be exhibited in November at Photo Oxford.&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Location: outdoors on J\u00e4rnv\u00e4gsgatan in central Landskrona. \u00a0 In her childhood&nbsp;it was always&nbsp;impressed upon&nbsp;Rosie Barnes&nbsp;and&nbsp;her siblings to&nbsp;never leave a light on in a room that [&#8230;]<\/p>\n","protected":false},"author":19,"featured_media":20329,"parent":0,"menu_order":43,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-20318","page","type-page","status-publish","has-post-thumbnail","hentry","excerpt","full-without-featured","even","excerpt-0"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.landskronafoto.org\/en\/wp-json\/wp\/v2\/pages\/20318","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.landskronafoto.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.landskronafoto.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.landskronafoto.org\/en\/wp-json\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/www.landskronafoto.org\/en\/wp-json\/wp\/v2\/comments?post=20318"}],"version-history":[{"count":5,"href":"https:\/\/www.landskronafoto.org\/en\/wp-json\/wp\/v2\/pages\/20318\/revisions"}],"predecessor-version":[{"id":20624,"href":"https:\/\/www.landskronafoto.org\/en\/wp-json\/wp\/v2\/pages\/20318\/revisions\/20624"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.landskronafoto.org\/en\/wp-json\/wp\/v2\/media\/20329"}],"wp:attachment":[{"href":"https:\/\/www.landskronafoto.org\/en\/wp-json\/wp\/v2\/media?parent=20318"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}