{"id":27849,"date":"2025-04-02T13:34:34","date_gmt":"2025-04-02T11:34:34","guid":{"rendered":"https:\/\/www.landskronafoto.org\/?page_id=27849"},"modified":"2026-03-24T13:54:47","modified_gmt":"2026-03-24T12:54:47","slug":"10-maj-kl-13-14-samtal-mellan-obara-kazuma-iwane-ai-suzuki-mayumi-och-lina-selander-i-utstallningen-reflektion-11-03-11","status":"publish","type":"page","link":"https:\/\/www.landskronafoto.org\/en\/10-maj-kl-13-14-samtal-mellan-obara-kazuma-iwane-ai-suzuki-mayumi-och-lina-selander-i-utstallningen-reflektion-11-03-11\/","title":{"rendered":"10th of May at 1-2.15 pm Conversation with Obara Kazuma, Iwane Ai, Suzuki Mayumi and Lina Selander in the exhibition Reflection 11\/03\/11"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<p class=\"has-background\" style=\"background-color:#cbcbcb\"><strong>Location:\u00a0<\/strong> Landskrona Foto, Kavallerigatan 4.\u00a0<strong>Time:\u00a0<\/strong>Saturday 10\/4 at 1-2.15pm . The conversation will be held in English. The event is free, but registration is required. Please register by May 5 via this form.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">How do you depict a catastrophe that is both visible and invisible? How do images shape our collective memory of a tragedy?<\/h4>\n\n\n\n<p>On March 11, 2011, Japan\u2019s T\u014dhoku region was struck by a powerful 9.0-magnitude earthquake, followed by a massive tsunami that in some areas reached 30 meters in height. The devastation was immense, further compounded by the Fukushima Daiichi nuclear disaster, which led to extensive radioactive contamination. In total, 19,765 people lost their lives, 2,553 remain missing, and over 20,000 are still displaced today.<\/p>\n\n\n\n<p>In connection with the exhibition&nbsp;<a href=\"https:\/\/www.landskronafoto.org\/en\/reflektion-11-3-11-japanska-fotografer-moter-kataklysmen\/\" data-type=\"page\" data-id=\"27368\"><strong>Reflection 11\/03\/11 \u2013 Japanese Photographers Facing the Cataclysm<\/strong>,<\/a> we invite you to a conversation where photographers&nbsp;Obara Kazuma, Suzuki Mayumi, and Iwane Ai&nbsp;will share their experiences of documenting the aftermath of the tsunami and the nuclear disaster in Fukushima. The discussion will also include&nbsp;Lina Selander, whose artistic work has previously explored the legacy of&nbsp;Chernobyl.<\/p>\n\n\n\n<p>The exhibition highlights photographers&#8217; efforts to depict both the&nbsp;physical destruction&nbsp;and the&nbsp;long-term effects of radiation\u2014something that can neither be seen nor felt, yet continues to impact lives for generations. During the conversation, we will explore the&nbsp;ethical and artistic challenges&nbsp;of documenting an ongoing disaster, the&nbsp;<strong>l<\/strong>imitations of visual representation, and&nbsp;the role of photography&nbsp;in creating a historical record.<\/p>\n\n\n\n<p>The conversation will be led by the exhibition\u2019s curators,&nbsp;Philippe S\u00e9clier and Marina Amada.<\/p>\n\n\n<noscript class=\"ninja-forms-noscript-message\">\n\tNotice: JavaScript is required for this content.<\/noscript>\nNo Fields Found.<div id=\"nf-form-38-cont\" class=\"nf-form-cont\" aria-live=\"polite\" aria-labelledby=\"nf-form-title-38\" aria-describedby=\"nf-form-errors-38\" role=\"form\">\n\n    <div class=\"nf-loading-spinner\"><\/div>\n\n<\/div>\n        <!-- That data is being printed as a workaround to page builders reordering the order of the scripts loaded-->\n        <script>var formDisplay=1;var nfForms=nfForms||[];var form=[];form.id='38';form.settings={\"ninjaForms\":\"Ninja Forms\",\"changeEmailErrorMsg\":\"Please enter a valid email address!\",\"changeDateErrorMsg\":\"Please enter a valid date!\",\"confirmFieldErrorMsg\":\"These fields must match!\",\"fieldNumberNumMinError\":\"Number Min Error\",\"fieldNumberNumMaxError\":\"Number Max Error\",\"fieldNumberIncrementBy\":\"Please increment by \",\"fieldTextareaRTEInsertLink\":\"Insert Link\",\"fieldTextareaRTEInsertMedia\":\"Insert Media\",\"fieldTextareaRTESelectAFile\":\"Select a file\",\"formErrorsCorrectErrors\":\"Please correct errors before submitting this form.\",\"formHoneypot\":\"If you are a human seeing this field, please leave it empty.\",\"validateRequiredField\":\"This is a required field.\",\"honeypotHoneypotError\":\"Honeypot Error\",\"fileUploadOldCodeFileUploadInProgress\":\"File Upload in Progress.\",\"fileUploadOldCodeFileUpload\":\"FILE UPLOAD\",\"currencySymbol\":\"&#36;\",\"fieldsMarkedRequired\":\"Fields marked with an <span class=\\\"ninja-forms-req-symbol\\\">*<\\\/span> are required\",\"thousands_sep\":\",\",\"decimal_point\":\".\",\"siteLocale\":\"en_US\",\"dateFormat\":\"m\\\/d\\\/Y\",\"startOfWeek\":\"1\",\"of\":\"of\",\"previousMonth\":\"Previous Month\",\"nextMonth\":\"Next Month\",\"months\":[\"January\",\"February\",\"March\",\"April\",\"May\",\"June\",\"July\",\"August\",\"September\",\"October\",\"November\",\"December\"],\"monthsShort\":[\"Jan\",\"Feb\",\"Mar\",\"Apr\",\"May\",\"Jun\",\"Jul\",\"Aug\",\"Sep\",\"Oct\",\"Nov\",\"Dec\"],\"weekdays\":[\"Sunday\",\"Monday\",\"Tuesday\",\"Wednesday\",\"Thursday\",\"Friday\",\"Saturday\"],\"weekdaysShort\":[\"Sun\",\"Mon\",\"Tue\",\"Wed\",\"Thu\",\"Fri\",\"Sat\"],\"weekdaysMin\":[\"Su\",\"Mo\",\"Tu\",\"We\",\"Th\",\"Fr\",\"Sa\"],\"recaptchaConsentMissing\":\"reCaptcha validation couldn&#039;t load.\",\"recaptchaMissingCookie\":\"reCaptcha v3 validation couldn&#039;t load the cookie needed to submit the form.\",\"recaptchaConsentEvent\":\"Accept reCaptcha cookies before sending the form.\",\"embed_form\":\"\",\"currency_symbol\":\"\",\"title\":\"\",\"beforeForm\":\"\",\"beforeFields\":\"\",\"afterFields\":\"\",\"afterForm\":\"\"};form.fields=[];nfForms.push(form);<\/script>\n        \n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Obara Kazuma <\/strong><\/p>\n\n\n\n<p>In March 2011, after the triple disaster in Japan, Obara Kazuma left his job to document the aftermath in Tohoku. He was the first photojournalist to enter Fukushima Daiichi and returned multiple times for his long-term work on nuclear issues. This led him to study photojournalism in London. After graduating, he focused on Chernobyl\u2019s victims, earning the 2016 World Press Photo award for <em>Exposure<\/em>.<\/p>\n\n\n\n<p><strong>Iwane Ai<\/strong><\/p>\n\n\n\n<p>Iwane Ai moved to the U.S. in 1991 to study photography in California. Returning to Japan in 2006, she became a freelance photographer, focusing on neglected communities. In Hawaii, she discovered a Kodak Cirkut camera once used at funerals for first-generation Japanese immigrants, many from Fukushima. To revive this history, she brought the camera to Japan, photographing Fukushima residents in front of their homes and farms in the now-forbidden zone.<\/p>\n\n\n\n<p><strong>Suzuki Mayumi <\/strong><\/p>\n\n\n\n<p>Suzuki Mayumi grew up in a photography-driven family; her grandfather founded a studio in 1930, later run by her father. After studying at Nihon University, she became a freelance photographer. When the 2011 tsunami destroyed her hometown, Onagawa, and her parents went missing, she found only her father\u2019s damaged camera and a few buried photos. Using the camera, she captured the landscape, feeling a renewed connection with her parents. Since then, she has created intimate, autobiographical narratives.<\/p>\n\n\n\n<p><strong>Kanno Jun<\/strong><\/p>\n\n\n\n<p>Kanno Jun studied film in the U.S. before turning to photography in Japan. In May 2011, she returned to her parents&#8217; home in Fukushima, struggling to grasp the radiation&#8217;s impact. Ordering a dosimeter changed her perception\u2014and her sense of time. For a decade, she documented the rise of storage sites contaminating the land and, using a Geiger counter, recorded the radioactive effects on those who refused to leave.<\/p>\n\n\n\n<p><strong>Lina Selander<\/strong><\/p>\n\n\n\n<p>Lina Selander is an artist and professor of Art with a focus on narrativity and installation at Konstfack. Her films and installations often stem from historical turning points, exploring relationships between memory and perception, photography and film, or language and image. Selander&#8217;s work recurrently returns to a fascination with the phenomena and technologies that have made images possible, enabling history to be documented.&nbsp;<\/p>\n\n\n\n<p><strong>Marina Amada <\/strong><\/p>\n\n\n\n<p><em>Marina Amada  \u00e4r en oberoende curator och medgrundare av konstkollektivet Spectrum. Hon har kurerat utst\u00e4llningarna Tokyosai (Magasins G\u00e9n\u00e9raux, 2024), Synchronicity (Kyoto Art Center, 2022) och Kazuma Obara&#8217;s Fill in the Blanks (Kyotographie, 2021). Hon sitter i styrelsen f\u00f6r f\u00f6reningen NPO Ichijigahaku, som sedan 2011 har arrangerat workshops f\u00f6r barn i katastrofdrabbade regioner.<\/em><\/p>\n\n\n\n<p><strong>Philippe S\u00e9clier <\/strong><\/p>\n\n\n\n<p>A former journalist, Philippe S\u00e9clier is interested in photography in all its forms. His publications include La longue route de sable (\u00c9ditions Xavier Barral, 2005), Atlas Tadao Ando (Atelier EXB, 2021), and, most recently, Real Road Test (Atelier EXB, 2024). He is also co-director of the Des oiseaux collection at Atelier EXB and exhibition curator.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1500\" height=\"844\" src=\"https:\/\/www.landskronafoto.org\/wp-content\/uploads\/2025\/04\/3.jpg\" alt=\"\" class=\"wp-image-27855\" srcset=\"https:\/\/www.landskronafoto.org\/wp-content\/uploads\/2025\/04\/3.jpg 1500w, https:\/\/www.landskronafoto.org\/wp-content\/uploads\/2025\/04\/3-1024x576.jpg 1024w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\" \/><figcaption class=\"wp-element-caption\">Lina Selnader-  from the film installation <em>Lenin\u2019s Lamp Glows in the Peasant\u2019s Hut<\/em><\/figcaption><\/figure>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Location:\u00a0 Landskrona Foto, Kavallerigatan 4.\u00a0Time:\u00a0Saturday 10\/4 at 1-2.15pm . The conversation will be held in English. The event is free, but registration is required. Please [&#8230;]<\/p>\n","protected":false},"author":19,"featured_media":27358,"parent":0,"menu_order":9,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-27849","page","type-page","status-publish","has-post-thumbnail","hentry","excerpt","full-without-featured","even","excerpt-0"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.landskronafoto.org\/en\/wp-json\/wp\/v2\/pages\/27849","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.landskronafoto.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.landskronafoto.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.landskronafoto.org\/en\/wp-json\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/www.landskronafoto.org\/en\/wp-json\/wp\/v2\/comments?post=27849"}],"version-history":[{"count":5,"href":"https:\/\/www.landskronafoto.org\/en\/wp-json\/wp\/v2\/pages\/27849\/revisions"}],"predecessor-version":[{"id":27884,"href":"https:\/\/www.landskronafoto.org\/en\/wp-json\/wp\/v2\/pages\/27849\/revisions\/27884"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.landskronafoto.org\/en\/wp-json\/wp\/v2\/media\/27358"}],"wp:attachment":[{"href":"https:\/\/www.landskronafoto.org\/en\/wp-json\/wp\/v2\/media?parent=27849"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}